Michelle Williams, Mila Kunis and Rachel Weisz land the latest cover of InStyle Magazine. The actresses are promoting their new movie, ‘Oz the Great and Powerful’. I have high hopes for this movie, I hope it’s as good as the preview looks!

InStyle hasn’t released anything from the interview yet, so until then…enjoy this sneak peek!

Tiffani Thiessen just reminds me of my childhood. I remember her best from ‘Saved By the Bell’, and then when she joined the cast of ’90210′. She’s one of the few child actors who actually grew up to have a successful TV career. She now stars on ‘White Collar’ a show I really wish I was into, I hear it’s good. Anyway, Tiffani posed for ‘Me In My Place’, which caught her at home, in her underwear. Totally natural, of course.

I like these pictures. I think she looks cute, and not trashy. They look classy for her age (38). She looks great, and I think if you’ve got it – flaunt it! Here are some tidbits from the interview:

Howard Stern once said she had the “most perfect breasts in the world”: “Yeah, he said that before I had kids (laughing loudly). He first said that around the time that first FHM cover came out, it came up again when I did his show again last year. I’m not gonna say I’m not flattered, he’s Howard Stern, Howard knows boobs. The fact that he talked about me positively, I’ll take it! He was really nice and complimentary, in his own special way he was very respectful.”

On the pressure of being a sex symbol: “I think any time you are on a hit show as a young actor or actress, you feel that way. Then as a woman, there’s some additional pressures you feel to look a certain way and be a certain size. I was not the girl that was a size 2 and didn’t work for it. I was never the waify model type.”

What’s the one character she wants to play? “I got very close to that once, one thing that I always wanted to do was be a Bond Girl. I tested but didn’t get it. It was also probably the hardest rejection, because I’m such a fan of the movies. It was between me and 2 other actresses at the time. Unfortunately the actress who got the job, went on to be voted as one of the worst Bond Girls as well.”

Guilty pleasures? “Wine and chocolate. Or if a “Designing Women” marathon is on, I won’t switch it off. God I love that show.”

Favorite 90s song: “I absolutely loved Boys 2 Men, but I’d have to say George Michael’s “I Want Your Sex.” I played that over and over again, I’m not kidding you.”

Being a TV staple: “Sometimes it’s crazy to think about how “Saved By The Bell” and “90210” ran for so long and internationally too. I feel very fortunate and blessed, to have worked on shows that lived for a while. Especially after experiencing that popularity at such a young age. Then to continue to say I’m a working actress now, I still really enjoy it.”

Love her!

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Why does Emma Stone always look like a hot mess on magazine covers? Okay, maybe it’s not EVERY time, but honestly, it’s enough times to make me remember she usually looks like a hot mess. On her Interview Magazine cover earlier this year, she was almost unrecognizable. She covered Vogue Magazine, and looked so bizarre, she almost looked like a robot. In fact, the last decent cover I’ve seen of Emma Stone was back in August 2011, when she landed the cover of Vanity Fair. She looked absolutely adorable. So what’s with all these weird photo shoots she’s been doing lately? Why is she afraid to look cute (like she is!)? Who’s to blame??

She looks like a big ol’ hot mess in these new pictures for the February issue of W Magazine. Here are some highlights from the interview:

On her role in ‘Gangster Squad’: “Grace Faraday, who moved to Hollywood in the ’40s to become a star and ended up falling in with Mickey Cohen, a very well-known gangster, and his brood. Grace is also having an affair with Jerry Wooters, portrayed by Ryan Gosling. He’s one of the cops investigating Mickey Cohen. Grace is playing with fire—she’s constantly torn, caught in that classic conundrum between good and evil.”

On starring in dramas lately, rather than comedies: “In real life, sometimes it’s uncomfortable for me not to go for the joke. I’ve been looking at that in myself lately. Often, joking for me is a way of diffusing the awkwardness of a situation, so it’s kind of exhilarating to be a part of projects where there’s nothing funny or lighthearted.”

Presenting last year’s Oscars with Ben Stiller: “It was for best visual effects, so Ben and I had all these funny ideas. Planet of the Apes was nominated, so we thought we would bring a chimp onstage and I’d say, “Oh—it looks so real.” And Ben would be like, “It’s a real chimp.” And I’d be insisting, “Oh, my God—the work they do now is so staggering.” And he’d repeat, “It’s a real chimp.” But apparently, you can’t make the Oscar presentation about a particular movie or else the audience thinks you’re swaying the vote toward that movie. So instead, we pretended that Ben had been to the Oscars many times and I was this really overly enthusiastic Oscar presenter. I was very excited, and he was not…. Though a lot of people thought it was something else: When I came offstage, they were saying, “You were so drunk!” And I wasn’t. Not until after…”

On her first Oscars: “At first, when you go to premieres and award shows, you’re thinking, How the hell am I here? All these people I’ve never met are here, and it’s so cool! And then, as time goes on, it’s a little bit like, Ah…it’s more like work. There are only a couple of events where I’ve truly felt, That was an awesome night—and the Oscars was one of them.”

What movie makes her cry: “The end of City Lights makes me cry every time I see it—when Charlie Chaplin walks by the shop window and the once blind girl brings him a flower and pins it to his lapel. She’s always thought that he was a millionaire, but he was really a tramp. She feels his hand and says, “You?” And he nods. He says, “You can see now?” And she says, “Yes, I can see now.” They cut back to his face, and he lights up like you’ve never seen. That last line—“Yes, I can see now”—has so many meanings. It’s echoed in every great romantic movie since then and in every great moment of life.”

I won’t hold this photo shoot against her. I love her still….

Who’s going to see ‘Gangster Squad’? I’m totally going to see it (Sean Penn, Josh Brolin and Ryan Gosling in the SAME MOVIE!?) but I wish it was getting better reviews. It’s currently getting a 34% on Rotten Tomatoes, and I usually agree with them. 34% means the movie is probably going to really suck – but will that stop me? Probably not. Have any of you seen it yet? I’d love to hear your opinion!

Jennifer Lopez lands the latest cover of People Magazine. Wow, those are horrific bangs. She’s also proclaiming she HAS NO REGRETS! Who cares?

American Idol premieres tonight, without her. She reportedly turned down a $17 million offer to return. What for? She wants to focus on other career opportunities. You must have some serious balls (and an enormous bank account) if you turn down $17 million for one season of American Idol. Was it really that bad?

In the People interview, Jennifer opens up about her boyfriend, 25-year-old Casper Smart. She claims he helped her recover from her tough divorce (I bet he did!). She says she can’t believe he sticks with her – and doesn’t go get himself a younger girlfriend. Seriously JLo?

When Jennifer Lopez and Marc Anthony split in 2011 after seven years of marriage and two children together, the singer says it felt like “her whole world fell apart.”

But Lopez, 43, credits her boyfriend, choreographer and dancer Casper Smart, 25, with helping her heal after divorce.

“I just got out of a big, heavy, devastating thing, and he’s helped me heal,” she says in this week’s issue of PEOPLE. “He’s been there for me.”

But the singer is well aware that the 18-year age difference between the two draws speculation.

“I ask him, ‘Why don’t you go find a young girlfriend and get out of here? What do you want with me?’ And you think, ‘How long is this gone be?’ You think, ‘Okay, in 10 years I’m going to be like this and you’re going to be like that’ and … men at that age are … I think all different things. The truth is we don’t know what’s going to happen. We’re loving this moment right now. We make each other happy.”

Even after several larger-than-life romances that played out in the public eye, Lopez regrets nothing.

“I don’t regret those things – that’s who I am,” she says. “But at least now I’m at a point where I have to recognize that these choices and things that happen are partly because of me and my decisions and I have to be more careful. So I am being more careful.”

In other Jennifer news, Access Hollywood asked how she felt about the huge success of ex-boyfriend, Ben Affleck’s new movie, ‘Argo’. She said “I’m always rooting for him. We went through a rough time at a certain point and it was like we couldn’t get a break, and now to see him be successful and getting what he deserves for what he did made me feel really good.” Well isn’t that big of her.

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Rihanna covers the February issue of Complex magazine, and to celebrate the event, they shot seven covers to represent her seven albums. Her latest album, ‘Unapologetic’ is represented by the Complex cover above.

In the interview, Rihanna opens up about her obsession with Instagram, about her ‘Unapologetic’ album, and her duet with Chris Brown.

Here are some clips from the interview:

On her obsession with Instagram: “Get a good light. Get a good angle on what’s working for you that day. If it’s boobs, make sure you hit that. If it’s face, make sure it’s fierce. It’s narcissistic, but whatever–everyone does it. I’m capturing personality… Everybody has their thing they like or don’t like to see. It’s all in your head. That’s why people take their own pictures, because it’s difficult for someone else to capture what you seek.”

On media perception: “People take the little bit of information they’re fed, and they draw a picture of who you are. Most of the time it’s wrong.”

On being part of Team Breezy: “We don’t start the trouble, but that’s how we’re defending ourselves–by saying some slick sh-t. That’s how I’ve always been. I was so rude when I was a little girl. I got my ass beat by my mother for that. Most of the time it was because of my mouth.”

On why she is Unapologetic: “When I was making this record I had no intention except the truth. So whatever is there is real. It’s raw. That’s why the album is called Unapologetic. I held back before. I didn’t show a lot of myself. I was very guarded. I needed to be open and free and fearless. Basically say, ‘F**k it.’ What’s the worst that can happen? They’ll hate me? They’ve done that before.”

On her & Brown’s duet, “Nobodies Business”: “It’s nobody’s business,” she says flatly. [Journo repeats his inquiry.] Her voice, usually warm and cut with chuckles, turns cold. “Pardon me?” she replies, her eyebrow slightly raised. Even after the question is repeated, she hesitates to answer. The hands that moved up and down throughout the conversation, suddenly fall flat. “It’s the truth. Remember? You’re still asking me questions about it so clearly you don’t know.”

What do you think of these covers? Which one’s your fav?

Megan Fox lands the February cover of Esquire Magazine, and if you can believe it, these pictures were taken AFTER giving birth to her son. Esquire named the piece “Megan Fox Saves Herself”.

The interview is actually pretty interesting. She opens up about hating fame, being raised very religious, and about giving birth to her baby boy. She talks about her “bombshell” image, and how her looks make her feel. It’s hard to hate her after the interview, really. I think she holds her own. She makes sense, and I think she comes off pretty well. Check out these highlights from the interview:

Megan on fame: “I don’t think people understand,” she says. “They all think we should shut the f–k up and stop complaining because you live in a big house or you drive a Bentley. So your life must be so great. What people don’t realize is that fame, whatever your worst experience in high school, when you were being bullied by those ten kids in high school, fame is that, but on a global scale, where you’re being bullied by millions of people constantly.”

Megan on the Bible: “I’ve read the Book of Revelation a million times,” Megan Fox says. “It does not make sense, obviously. It needs to be decoded. What is the dragon? What is the prostitute? What are these things? What is this imagery? What was John seeing? And I was just thinking, What is the Antichrist? When war breaks out in the Holy Land, like it is right now, if that is a sign of the immediate end times, then where are the other signs? Is it possible that it’s the Internet or fame itself or celebrity?”

On giving birth: For the birth, she had no doula, no midwife. She left the hospital in just over twenty-four hours.

On her bombshell image: “I felt powerless in that image,” she says. “I didn’t feel powerful. It ate every other part of my personality, not for me but for how people saw me, because there was nothing else to see or know. That devalued me. Because I wasn’t anything. I was an image. I was a picture. I was a pose.”

Removing her Marilyn Monroe tattoo: “I feel like I willed it be gone,” Fox says. “They told me it was going to take six sessions and it’s nearly gone in one. I started reading about her and realized that her life was incredibly difficult. It’s like when you visualize something for your future. I didn’t want to visualize something so negative. She wasn’t powerful at the time. She was sort of like Lindsay. She was an actress who wasn’t reliable, who almost wasn’t insurable…. She had all the potential in the world, and it was squandered. I’m not interested in following in those footsteps.”

Will she remove any other tattoos?: A quote on her rib cage reads: “There once was a little girl who never knew love until a boy broke her heart.” She thinks it’s stupid now. And she isn’t entirely sure about the line from Nietzsche either: “And those who were seen dancing were thought to be insane by those who could not hear the music.”

Who she admires now: “Ava Gardner. She had power. She was a broad. She got what she wanted and said what she needed.”

On growing up in a Pentecostal church in Tennessee: “The energy is so intense in the room,” she says, “that you feel like anything can happen. They’re going to hate that I compare it to this, but have you ever watched footage of a Santeria gathering or someone doing voodoo? You know how palpable the energy is? Whatever’s going on there, it’s for real. I have seen magical, crazy things happen. I’ve seen people be healed. Even now, in the church I go to, during Praise and Worship I could feel that I was maybe getting ready to speak in tongues, and I’d have to shut it off because I don’t know what that church would do if I started screaming out in tongues in the back. It feels like a lot of energy coming through the top of your head — I’m going to sound like such a lunatic — and then your whole body is filled with this electric current. And you just start speaking, but you’re not thinking because you have no idea what you’re saying. Words are coming out of your mouth, and you can’t control it. The idea is that it’s a language that only God understands. It’s the language that’s spoken in heaven. It’s called ‘getting the Holy Ghost.’ ”

She’s not into drugs or drinking: “I can’t stand pills. I don’t like drinking. I don’t like feeling out of control,” she explains. “I have to feel like I’m in control of my body. And I know what you’re thinking, Then why would I want to go to church and speak in tongues? You have to understand, there I feel safe. I was raised to believe that you’re safe in God’s hands. But I don’t feel safe with myself.”

She believes in aliens and leprechauns: “I believe in all of this stuff. I believe in all of it…. I like believing. I believe in all of these Irish myths, like leprechauns. Not the pot of gold, not the Lucky Charms leprechauns. But maybe was there something in the traditional sense? I believe that this stuff came from somewhere other than people’s imaginations…. We should all believe in leprechauns. I’m a believer….”

I grew up in a Baptist church which was very conservative, and I went to a private school where they encouraged speaking in tongues. It scares me. To this day it just gives me the heebie jeebies. It’s the scariest looking/sounding thing. I can understand getting yourself to the point where you’re speaking in tongues, but actually doing it – yikes.

I liked the interview, what did you think?

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The internet is buzzing today about this picture of a nearly naked Beyonce on the cover of what might be GQ’s February issue.

On the potential cover, the 31-year-old singer is seen showing off her Bootylicious body in a cropped peek-a-boob athletic tee (she’s clearly getting ready for her major Super Bowl performance), red leopard panties with zipper pockets (feisty and functional) and plenty of bling (“All Gold Everything”).

No confirmation yet that this is actually the February cover, but I’m thinking it definitely is!

She looks amazing!

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